New York: Umbrage Editions, 2005. Paperback. Paperback, 2005, octavo, 285pp., sparsely illustrated in b&w. Book near fine with mild edgewear to wrap, binding tight, text clean and unmarked, but showing faint foxing to edges of text block. No DJ.
Buffalo: The Slow Loris Press, 1974. First printing. Paperback, light creasing to the cover, 91pp.
Salem, MA: Bradford & Bigelow, 1961. Wraps. Wraps, very good, about 80 pp, some illustrations. Handsome literary magazine. It would appear that all the contributions really are written in the first person. Barthelme's "The Hiding Man," Lorca's "City of Eyes," Dahlberg's "The Wilds of Berkeley," etc.
Newcastle upon Tyne: Stand, 1970. Paperback. Stand: Quarterly of the Arts 11, No. 2, 1970. Softcover. Literary journal. 80 pp. With 3 page insert of art by John Heartfield, a short play by Lorca, poetry by Bly and Eagleton, and other contributions. Very Good.
Binghampton: SUNY Binghampton, Max Reinhardt Archive, 1980. Wraps. Wraps, 9.75 x 6.75 inches, very good, light wear and soil. 79 pp. Prints essay plus plays in translation, includes 2 pp. errata related to misprints in the Fratti play.
Madrid: FFGL, 2007. First printing. Paperback. 8vo, wraps, very good, light wear and creasing to back cover, 302 pp. Entire issue dedicated both to the historical liberalist heroine Mariana de Pineda Muñoz of Granada (d. 1831) and the play about her by Lorca, including material by Lorca himself. Uncommon.
Norfolk, CT: New Directions, 1939. First Edition. Hardcover. Tall 8vo, in blue papercovered boards and matching dust jacket, book very good or better with just a touch of wear, jacket good with some edgewear, short tears and light loss, spine heavily faded, almost bleached out, jacket's spine ends with some.....
Beirut: Dar Al-Adab, 1962. First printing. Paperback. Pictorial wraps, very good, light soil and wear to covers, tanning to pages. The play was written in 1925.
Rio de Janeiro: Philobiblion, 1957. Limited ed. Paperback. 1957, First Edition. One of 100 unnumbered copies. 8 color plates plus 2 in b&w designed by Lorca and hand printed by Manuel Segala on Ingres paper for Philobiblion in Rio de Janeiro, Brazil. Text in Portuguese. 6.5 x 9.5 inches. Loose.....
New Orleans: Tulane University, 1962. Wraps. 8vo, wraps, very good. 219 pp.
Barcelona: 1963. Wraps. 8vo, wraps, very good. 66 pp, in Spanish.
Granada: Edicion del Cincuentenario, 1986. First printing. Paperback. First edition, 1986. Softcover, 81 pp., clean unmarked text, Near Fine copy. Text in Spanish.
New York: Norton, 1952. First edition. Hardcover. 1952, First Edition, 192 pp. Hardcover, copper cloth, 8vo. Very Good+ copy, no dust jacket. Pages just starting to brown.
Northampton: Apiary Pr. 1957. Limited ed. Paperback. Number 23 of 35 copies. Signed by the illustrator, Mary Alice Taylor, on the colophon, and additionally inscribed by her. 1957. Softcover. With 7 woodcuts by Taylor, including the color frontis, plus the vignette on the colophon. Near Fine. Light shelfwear to the.....
Dimasq / Damascus: Wizarat al-Thaqafah wa'al Irshad al-Qawmi, (1962). Paperback. 8vo, wraps, good to very good, covers a little worn, tanned and soiled, contents very good. Text in Arabic. 221 pp.
New York: Grove Press, 1955. First edition thus. Hardcover. Black cloth boards in dust jacket, octavo, frontispiece in b&w, otherwise not illustrated. Book has handsome boards and tight binding, endpapers off-set, text clean but toned throughout. DJ has chips, tears and related creases to edges, spine ends chipped with some.....
Granada: Caja General de Ahorros y Monte de Piedad de Granada, 1980. First Printing. Wraps. 9 x 6.25 inches, pictorial wraps, very good. About 25 pp of poetry, illustrated, with laid in flyers and other ephemera associated with this booklet.
Toronto: Oasis, 1975. First printing. Paperback. Two volumes--one in the original Spanish, one in English translation. Both limited numbered copies out of 270 printed. Wraps, Spanish-language copy inscribed by Zeller to fellow-poet Robert Lima, clean unmarked text, about near fine copies, light edgewear to the covers. Robert Lima was a......